Transcendental Style in Film: Ozu, Bresson, Dreyer
Paul Schrader’s Transcendental Style in Film examines the cinematic approaches associated with Ozu, Bresson, and Dreyer. This focused work of film criticism considers how style, form, and spiritual expression intersect, making it suited to readers interested in cinema, aesthetics, and the language of film.
About This Book
Transcendental Style in Film explores a distinctive approach to cinematic form and expression.
Paul Schrader focuses on the work of Ozu, Bresson, and Dreyer.
The book considers how film style can shape meaning, perception, and spiritual inquiry.
It is a work of film criticism for readers interested in cinema, aesthetics, and directing.
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