The Poster: Art, Advertising, Design, and Collecting, 1860s–1900s (Interfaces: Studies in Visual Culture)
The Poster explores the intersections of art, advertising, design, and collecting from the 1860s through the 1900s. Situated within the study of visual culture, Ruth E. Iskin’s work offers a focused examination of the poster’s artistic, commercial, and historical significance.
About This Book
The Poster examines the poster as an important form of art, advertising, and design.
Covering the period from the 1860s through the 1900s, the book considers posters within the visual culture of their time.
It also addresses the practice of collecting, bringing together creative, commercial, and historical perspectives.
Published as part of the Interfaces: Studies in Visual Culture series, this work offers a focused study of poster culture and its development.
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