The Time-Image
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The Time-Image

by Gilles Deleuze

Philosophy Film Studies
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Gilles Deleuze's 'The Time-Image' investigates the post-war shift in cinema toward direct presentations of time and duration. Analyzing films through innovative concepts like the crystal-image, it reveals how modern directors capture thought and memory beyond action-oriented narratives. This essential text redefines cinematic philosophy and aesthetics.

About This Book

In 'The Time-Image', Gilles Deleuze examines the transformation in cinematic expression following World War II, shifting from the action-image to the time-image.

This second volume of his Cinema series builds on the first by focusing on how directors present time directly rather than through movement, introducing key concepts such as the opsign and sonsign.

Deleuze draws on a wide range of filmmakers to illustrate how the time-image disrupts traditional narrative structures and opens new possibilities for perception and memory in film.

The book offers a profound philosophical framework for understanding cinema's role in representing the complexities of modern experience.

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