Meyerhold, Eisenstein and Biomechanics: Actor Training in Revolutionary Russia
by Alma Law
Meyerhold, Eisenstein and Biomechanics examines actor training in revolutionary Russia through the linked subjects of performance, movement, and artistic practice. Alma Law’s study offers readers an introduction to an important intersection of theater, film, and cultural history.
About This Book
This book focuses on Meyerhold, Eisenstein, and biomechanics in relation to actor training.
It places these subjects within the historical setting of revolutionary Russia.
The study connects performance practice with the development of training approaches associated with its central figures.
It will interest readers exploring theater, film, acting, and the cultural history of revolutionary Russia.
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