Transcendental Style in Film: Ozu, Bresson, Dreyer
Paul Schrader’s Transcendental Style in Film explores a distinctive approach to cinematic expression through the work of Ozu, Bresson, and Dreyer. Bringing together film theory and criticism, this focused study examines how style can shape meaning and invites readers to consider cinema’s deeper artistic and spiritual possibilities.
About This Book
Transcendental Style in Film: Ozu, Bresson, Dreyer is a work by Paul Schrader focused on cinematic style.
The book considers transcendental style through the films and filmmaking practices associated with Ozu, Bresson, and Dreyer.
It provides a focused entry point into questions of film form, artistic expression, and the relationship between cinema and transcendence.
Designed for readers interested in film theory and criticism, the book connects three major directors within a shared critical framework.
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