Oblique Drawing: A History of Anti-Perspective (Writing Architecture)
Massimo Scolari examines oblique drawing as a distinctive approach to architectural representation. Tracing the idea of anti-perspective, this study considers how alternative systems of depicting space and form have influenced the ways architecture is drawn, understood, and communicated.
About This Book
Oblique Drawing: A History of Anti-Perspective explores the history and significance of oblique drawing in relation to architectural representation.
Massimo Scolari examines anti-perspective as an alternative to conventional ways of depicting space, form, and structure.
Written for readers interested in architecture, drawing, and visual culture, the book considers how representational methods shape the understanding of built form.
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