Moving Modernism: The Urge to Abstraction in Painting, Dance, Cinema (Oxford Studies in Dance Theory)
by Nell Andrew
An examination of abstraction's influence on painting, dance, and cinema during the modernist era, highlighting shared artistic impulses across disciplines.
About This Book
This study examines the impulse toward abstraction in the visual and performing arts during the modernist period.
It considers how painters, choreographers, and filmmakers pursued non-representational forms and new modes of expression.
The book situates these developments within broader cultural and theoretical contexts of the early twentieth century.
Readers gain insight into the shared aesthetic concerns that linked different artistic disciplines at this time.
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